The B60 dolly system takes Blackcam’s qualities to the next level. It can carry more load, speed up for unlimited distances, go uphill, be operated with a rope drive, and comes equipped with our telescopic Tower Lift if desired – designed for TV Studios, outdoor sport productions and the movie industry among others.
For all heavy camera models like Ikegami UHK-430, Sony PMW-F55, Grassvalley LDX Worldcam and ARRI AMIRA, and perfectly suitable for stabilized remote heads such as ARRI’s SRH-3 and NEWTON’s S2.
For the fully automated studio edition with the B60 dolly and Lift, a remote head with special features was specially developed for studio cameras and teleprompters.
Let us know how you would like to use it, we create the system configuration that fits your needs.
Measurements (length x width x height): 95 x 45 x 12 cm (37.4 x 18 x 4.7 in)
Weight: 40 kg (88.18 lb)
Speed: Standard 4 m/s (13 ft/s), high-speed version on request
Drive Options: Self driven (600W Servomotor)
External rope drive (2.3 kW Servomotor)
Power supply: Cable or battery operation
Batteries: LiPo batteries for dolly movement, runtime approx. 2hrs
Dimensions: 40 cm width x 6 cm height (15.78 in width x 2.36 in height), black anodized
Weight: 4 kg/m (8.82 lb/3.28 ft)
Track types: Rectangular track in modular sections (straight and pre-bended)
Round track in modular sections (straight and pre-bended)
Round track off the reel with supports
Pieces: Standard length: 4 m, 2 m, 1 m, 50 cm (13.12 ft, 6.56 ft, 3.28 ft, 1.64 ft)
Custom length possible
Curves: Minimum inner radius: 2 m (6.56 ft)
Several radiuses on stock, customized radius possible
Standard production cabling
Camera signal: HD-SDI via BNC, return PGM-Mix as SD/HD-SDI
Tally: XLR3 (dry contact between pin 2+3)
RCP: – depending on Camera –
Intercom: Listen + Talkback via 2 x XLR3 or other Intercom device provided
Power: 1 x 16Amp at operator desk
Operator desk: Non-restricted view to tracks is recommended
Need to be rain / sun covered
1 table + 2 chairs to be provided on site
Tracks: Wireless setups always need a off-park-position (i.a. battery change)
Access to tracks must be possible
If applicable, protection against audience contact is necessary
Radio backup: If applicable, allow for cable run tracks < > operator desk